A new old face takes over the theater beat
Yes, it's me – the same guy you saw a few pages back in the movie section. Former theater critic Julie York Coppens left to take a job in Ohio, and I'll be theater critic for the fifth time at The Observer.
Shakespeare Carolinas kicked off its annual Queen City Shakespeare Festival last week at Theatre Charlotte with “Twelfth Night.” “Richard III” opens Thursday and the two classics – one comedy, one drama – will play on alternating days between then and the festival's July 26th finale. The Observer recently spoke to directors John Hartness (“Twelfth Night”) and Chris O'Neill (“Richard III”).
Yes, it's me – the same guy you saw a few pages back in the movie section. Former theater critic Julie York Coppens left to take a job in Ohio, and I'll be theater critic for the fifth time at The Observer.
For most people, the name “Aladdin” conjures images of Disney-style animated princes and genies who burst into spontaneous song and dance pieces. And while the Central Piedmont Community College's presentation of “Aladdin” does contain all of these elements, the show is actually based on an alternate version of “The Arabian Nights” and is tailored for an even younger audience.
Evelyn Norman's love affair with umbrellas happened quite by accident.
From "Star Trek: Voyager" to "Equus." Kate Mulgrew is joining "Harry Potter" star Daniel Radcliffe and Richard Griffiths in the revival of Peter Shaffer's "Equus," which opens Sept. 25 on Broadway.
The haunting portraits photographer Lewis Hine made in November 1908 of Gastonia's cotton mill kids were meant to document abuses of child labor laws.
Longtime listeners of WBT-AM (1110) will be forgiven if they tune in groggy Monday morning and think they've been hurled back in time.
Shakespeare Carolinas kicked off its annual Queen City Shakespeare Festival last week at Theatre Charlotte with “Twelfth Night.” “Richard III” opens Thursday and the two classics – one comedy, one drama – will play on alternating days between then and the festival's July 26th finale. The Observer recently spoke to directors John Hartness (“Twelfth Night”) and Chris O'Neill (“Richard III”).
Yes, it's me – the same guy you saw a few pages back in the movie section. Former theater critic Julie York Coppens left to take a job in Ohio, and I'll be theater critic for the fifth time at The Observer.
Call it Rob Williams' swan song. His final exhibit for the Mint Museum of Craft + Design is on the walls.
Johannes Brahms was a German who settled in Austria. Dmitri Shostakovich was Russian. Their music has nothing to do with the United States. What are they doing in the middle of the Charlotte Symphony's “Celebrate America” concerts?
When I drive to work these days, I pass a billboard for Canadian Club whiskey with a punctuation-challenged message: “That's right your dad drank it”
A few weeks ago, Charlotte actors Alyson Lowe and Sydney Shepherd were on their way to a rehearsal for “Side Show,” a musical based on the real-life story of the conjoined-twin Hilton sisters. Lowe and Shepherd were driving separate cars. They approached the same intersection. They made the same wrong turn. “We were both late,” Lowe says, laughing. “It's like we share a brain now.”
It was the role that made Luciano Pavarotti a star. In April, another tenor brought it to the same theater that had been Pavarotti's launching pad. Juan Diego Florez upped the ante.
When you know that the star of a one-man show is artistic director of the company putting it on – and he's being directed by his wife, who runs that company alongside him – nasty words such as “self-indulgence” and “nepotism” swirl inevitably around the brain.